An evening, considered.
A closer look.
For an HNI dinner at Taj Lands End in Mumbai, the studio shaped a connected guest journey: an entry easel on arrival, invitations before the event, and menus, bar cards and table covers within the room.
Burgundy and ivory carry the identity across every scale. A sweeping monogram and fine serif typography give the printed pieces ceremony, while the toile artwork turns the table itself into part of the visual system.
- Project context
- Taj Lands End, Mumbai
- Shared work
- Dinner menus
Bar menus
Table covers
Invitations
Entry easel
Event graphics - Project source
- Monalisa’s original post
One visual language, from arrival to table.
The studio’s source presentation confirms the menu, table covers, invitations and entry easel as parts of the same commission. The sequence treats each guest touchpoint as one chapter in a single evening.
A menu with its own rhythm.
The calligraphic cover opens into a tightly ordered set of panels. Ivory backgrounds, burgundy borders and a consistent type hierarchy organize starters, live counters, mains and desserts.
The details begin before dinner.
The same palette moves beyond the table into the arrival easel and invitation. These pieces frame the event before guests reach their place setting.
PRESENTATION ARCHIVE / 16View the original presentation
Additional slides from the original posts, including presentation notes, divider cards and alternate crops. Project artwork appears in the story above.
Original project presentation
Follow-up menu presentation
A setting in Bandra.
Taj Lands End sits at Bandstand in Bandra West, overlooking the Arabian Sea and the Bandra-Worli Sea Link. The hotel provides the setting for this dinner; the studio’s published work covers its menus, table covers and event graphics.
Design work by Monalisa Design Studio. Project imagery supplied through the studio’s published Instagram portfolio.